Lightbodies

The movement techniques of Pilates, GYROTONIC(R), Thai Bodywork, and Yoga
are foundational modalities for attuning an awareness and practice of alignment,
balance, strength, flexibility, release, and flow. 

Moreover, a new dimension of exploration at Lightbodies is to embody mythic,
visionary experiences through dance, 
music and film.

About Light Bodies

One of the concepts of Lightbodies Geometries is to use different movement modalities, in order to assist people in balancing their structural, neurological, kinesthetic, emotional, and energetic selves. Through this integration, people can move with more freedom, confidence, and joy. This project is forever on-going.

Now, in addition to somatic therapies, Lightbodies is exploring the translation of visionary experiences into the mediums of dance, music, and film;  thus, embodying the mythic through movement, sound and vision.

Shoutout DFW

Check out Dr. Mary Hill’s article published at Shoutout DFW (shoutoutdfw.com).

Personalized Workouts

Dr. Mary Hill uses a combination of techniques to create personalized workouts.
See techniques below.

The GYROTONIC(R) Method and it’s equipment replicates the subtle resistance of moving through water, while using spirals and curves to move directional forces through the body.  The results of this method are fluidity and extended range of motion, as well as ease and strengthening of the joints and soft tissue.  Somatically,  the sense of flow, rhythm, and breath calms the nervous system into a coherent alignment with the mind and body.

The Pilates technique is about aligning the vertical and horizontal axes (lines) of the body centered in the torso through pelvic and scapular stability. As the root of the legs is in the pelvis, pelvic floor and sacrum, so the root of the arms is in the shoulder girdle, and scapulae and the upper and lower body connect at the solar plexus. The result of moving from a stable center is strength, efficiency, and balance. Engaging the outward breath on the effort, in order to move from the solar plexus is similar to the breathwork in martial arts. The active use of breath to initiate movement and the deep awareness of the vertical and horizontal body axes is stabilizing and somatically creates the sense of “backing oneself up.”

The Wall requires a balance of levity and resistance, which creates a sense of suspension in the body. Moving at different angles in relationship to gravity challenges us to reconfigure how we move in space. In this way, we press through out-moded assumptions of what is possible and amplify our kinesthetic bodies to incorporate more extensive psychic and physical engagement.

Thai Bodywork is a beautiful, ancient art form of active massage, where the practitioner moves the receiver’s body into yogic positions and with pressure releases stagnant and held/frozen energy patterns.  The result is a release of vitality and relief through the physical, emotional, energetic and psychic body layers.

The GYROTONIC(R) Method and it’s equipment replicates the subtle resistance of moving through water, while using spirals and curves to move directional forces through the body.  The results of this method are fluidity and extended range of motion, as well as ease and strengthening of the joints and soft tissue.  Somatically,  the sense of flow, rhythm, and breath calms the nervous system into a coherent alignment with the mind and body.

Gyrokinesis(R) Method Instructor/Trainer
The Gyrokinesis(R) Method works the entire body through undulating, rhythmic movement patterns utilizing breath.  The goal is to mobilize the spine and joints in all possible directions, stimulate the nervous system and open up energy pathways.

The Pilates technique is about aligning the vertical and horizontal axes (lines) of the body centered in the torso through pelvic and scapular stability. As the root of the legs is in the pelvis, pelvic floor and sacrum, so the root of the arms is in the shoulder girdle, and scapulae and the upper and lower body connect at the solar plexus. The result of moving from a stable center is strength, efficiency, and balance. Engaging the outward breath on the effort, in order to move from the solar plexus is similar to the breathwork in martial arts. The active use of breath to initiate movement and the deep awareness of the vertical and horizontal body axes is stabilizing and somatically creates the sense of “backing oneself up.”

The Wall requires a balance of levity and resistance, which creates a sense of suspension in the body. Moving at different angles in relationship to gravity challenges us to reconfigure how we move in space. In this way, we press through out-moded assumptions of what is possible and amplify our kinesthetic bodies to incorporate more extensive psychic and physical engagement.

Thai Bodywork is a beautiful, ancient art form of active massage, where the practitioner moves the receiver’s body into yogic positions and with pressure releases stagnant and held/frozen energy patterns.  The result is a release of vitality and relief through the physical, emotional, energetic and psychic body layers.

Awards

Shadow Flame

Winding Way Winds of the South

Gallery

Dr. Mary Hill

I have a deep commitment and love for our embodied expression and relationship with the world around us, for as we explore and expand our experiences in the world, then we evolve, as human beings.  I earned a Doctorate in Dance History/Dance Education from Temple University in Philadelphia, where I also taught Ballet and Modern Dance.  I am certified to teach and have extensively studied the GYROTONIC METHOD(R), Pilates, Thai Bodywork, and Yoga therapeutic methods for many years.  I am also a Reiki Master and Reiki Master Teacher.   I hold a Masters of Fine Arts in Modern Dance and began training in Ballet at an early age.  I was awarded many scholarships to train as a dancer, choreographer, and later, as a teacher.  I studied in Germany, toured Japan, and danced in Boston and Philadelphia.  In healing my own injuries, the world of alternative therapies opened to me and has taken me on a life-long journey that I am honored to share with other people.

1984
Adrift and searching how to heal myself while surviving economically.

Adrift and searching how to heal myself while surviving economically. Taught one year at Lake Worth Highschool, Lake Worth/Fort Worth,TX. Resigned forever

1983
Bachelor of Arts, English major, French minor

Bachelor of Arts, English major, French minor

1981
Sustained a major dance injury and nerve damage

Sustained a major dance injury and nerve damage.

Dance therapist doctor in Austin, diagnosed that that I would never dance again and that my leg would shrink due to nerve damage Started my journey into alternative healing therapies.

1980
Studied Modern Dance at Tanz Forum, Cologne, West Germany

Studied Modern Dance at Tanz Forum, Cologne, West Germany

1979
Mary Hill 1974-1979

Southwest Reginal Ballet Association and Festival

Southwestern Regional Ballet Association Craft of Choreography Conferences

Southwestern Regional Ballet Association Craft of Choreography Conferences, Scholarships, University of Brockport, Brockport, NY, Dominican University of California, San Rafael, CA

1978
Hosted Southwest Regional Ballet Festival

Hosted Southwest Regional Ballet Festival.

The next day after the festival, a category 5 tornado destroyed half the city of 100,000 people. It was the largest tornado ever recorded at that time.

1971
Apprentice WFBT

Apprentice WFBT

1967
Began Ballet training in the Vaganova technique

Began Ballet training in the Vaganova technique with Irina Kladivova Pal and Frankteczech Karhanak Pal, WWII refugee principle Central European dancers. They were in the 1942 Leipzig, Germany production of Carl Orff’s Carmina Burana, choreographed by Mary Wigman, famed German Modern Dance pioneer.

Began Ballet training

Began Ballet training

Vaganova technique with Irina Kladivova (Pal) and Franckteczech Karhanak (Pal), WWII refugee principle dancers in Central Europe and Germany, danced with German Modern Dance pioneer, Mary Wigman, and were in the first production of Carl Orff’s “Carmina Burana,” 1938, Berlin. Established Wichita Falls Ballet Theatre in alliance with Southwestern Regional Ballet Association in US.

1959
Born

Born

Testimonials

Office/Contact

5800 Edwards Ranch Road
Bldg 1, Suite 200
Fort Worth, TX 76109
Email: mary-lightbodies@sbcglobal.net
Phone: 817 731-1133

11 + 7 =

Lightbodies

5800 Edwards Ranch Road
Bldg 1, Suite 200
Fort Worth, TX 76109